hvilket profilbilledet skal jeg have på min dating profil?

ready to go crazy

I am ready for doing the most simple things, or go crazy by designing absurd costumes, contructing and buildig wired scenografies/ sculptures. I am ready for discussing every detail: we are on a stage, so whatever ligth, clothing, movement, sound, timeframe, area, itims ect. we use, it will allways be a choice. But it dosen’t necessary need to be a logic choice.   

I am interested in perception on form and I am shearching after beaty.
Right now I am trying to write a speciale about perception on folded forms, because the folds are often in my artworks.

My practice allways goes back to drawing and photagraphy (for me it is about Seeing, Light and shadow, constructing/designing, maybe allso about describing and telling)

I am interested in social relations.

I am inspired by compositions I see in “the every day life”.

Somehow the bird and the mountain allways comes up, I guess it is a fascination of their forms, the movements of the bird and the movements in the mountains, and it have something to do with farytail (to me).
I am interestet in something with Japan, I am not really sure if it is the mentallity or only the aesthatics.  

I think the thing I said about training drawing and training the body is about getting more precise in the expression and the understanding of the expression. I feel the same about mixing colours painting and mixing spices cooking, it is allso about getting a precise expression.

selvpromovering, kopiering af de gamle mestre (Ingres og Vameer) og tidsrejser

Precision : artist statement 09.01.16 15.50-16.00

Mixing the precise colour is like making the a precise taste by using the rigth ingrediens and treat them rigth.

Getting precise training mucles, is like getting precise training in seeing and eye-hand contact by traning classiscal drawing.

To use and train your drawing skill fill the same as voice training.

Mixing plaster is as easy/hard as make dough for baking

krybdyrsproblemer

Når jeg bruger mit fokus på at blive interlektuelt stimuleret , ender jeg med at have nogle krybdyrs-agtige-problemer: Hvordan skaffer jeg mad? Hvordan får jeg sex?

rengøring

Da jeg pudsede vinduerne tænkte jeg på at Kinga havde sagt at vi skulle bruge avispapir. Jeg forstillede mig krøllede avissider. Gamle nyheder fra én dag. Et billede hvor dem som konfrontere fotografen, pludselig konfrontere hinanden, med forvrængninger i krop og ansigt på grund af foldningen.

Vi havde ikke noget avispapir så vi brugte køkkenrulle. Jeg havde en rytme med at gøre tre vinduer våde også pudse dem et ad gangen, så de akkurat ikke nåede at tørre ind. Men det var både frost og blæsevejr. så da jeg havde gjordt indersiden af ét vindue vådt og vaskede ydersiden af et andet, frøs vandet på det første til is og dannet de flotte isblomster. Utroligt at noget kan krysttalliserer - og så smukt - på 5 minutter.

Jeg gør rent hos nogle psykologer, og i lørdags støvsugede jeg alle lammeskinstæpperne i stolene i gruppeterapirummet. Jeg tænker altid på alle de dårlige historier og traumer, jeg støvsuger op fra gulvtæppet og nu også fra de lammeskin. Nu ligger de alle kompakt og indfoldet i hinanden i støvsugerposen, blant hustøvmider og nullermænd.

noter fra Palæstina

Usammenhængende fragmenter:

noter fra seminar i flygtningelejrene Dheisheh og Fawwar og hos arkitekterne på Decolonialization, fordrag på Riwaq, hos kunstneren Oraib og på det internationale kunstakademi i Palæstina ved David Harvig.  

11.september 2015

 Concrete tent

Penlin Tan + studerende

Campus in Camps
2012 experiment in education
new forms of representation of a refugee camps
common language
Dictionaries
Deffinding camps today
practical 9 forskellige initiativer
Connected with diffident

Alexandro

Riwaq
50 Villages
conserving

Finiq
føniks værter
Kamal-finiq-center
samarbejde cic
1951 - tents
Concret tent as an icon
non-govermental + non-profit.

Rosa Luxemborg fondation
Katja og Isak

What is conversation?

Autonymy? 

Decolonialization?

autonomy from what?

it can not be isolated

need?

infrastrukturelle bånd

autonymy?

Kobene

 --------- > FREE Kobene!

-------> They need water

-----> They need electricity

Everything is connected to each other

Each camp has it own stories
Refugee Camps in the West Bank
being in exile
idea of build a state
diverting from a state
someway more and more antonomous
there is always a political relation

they don't vote

This montain 

Britan

Jodanian

Civial… Magfuldt sted

man kan se lufthavnen

politi head

Flygtningene ville beholde stedet

wall by wall

floor by floor

The refugees themselves decolonized the place

we don't want houses

we are living in tents

Autonomy normality civilization

mellmøsten er delt op i stater af europæerne

folk ejer ikke deres huse

men de køber og sælger

WHAT IS PALESTINE AS A STATE?

Doha city slut 80'er

du kan ikke flytte en flygtningelejrs grænser

What have the camps provided?

 Mardin
i parlamentet: en plads: 1 kvinde og 1 mand. 1 muslim og en kristen (arabisk)

Self economy
find structures against capitalism
cooperatism

PLO   ---- Liberation of the refugees --- failed

WHEN REVULOTION FAILLED, WHAT DO WE DO?

How are you going to revolt is you want property?

What kind of revolt do we wont ?

If there is a history?

a constetytion der handler om naturen

Workers party in Brazil

Imagination: Imaginay a altanative to statepower

lean from these experiences and not repine them a understanding the dialectic. 

The dynamics

Demand open a collected space perverted not to close

autonomouse navation

adabt colonialines navation

- I should diffine Palestine

- Dreams of state

We still don't have enough space to say what we want! 

I have a document from my grandfather - I lost this city!

But I didn't lost private property therefore I am not a refugee

I find myself as a fighter against private property thinking

How we understand politics in terms of present?

What happens the day after?

one day permission

- go to the city

the sea -

 reproduction
What does it mean? What does happen to the camp? - can't go back to the (destroyed) villages.

What have we now?

- form today - to that point the way we live, the way we enjoy?

Impossiblity of the witness

the refugees are not waiting,

they are living the go to the Golf and America, and come back

Technical

Main discourse go back to the  former city and left the camp behind

We are all refugees

samtaler om revulotionen, var meget forbudt, i et mørkt rum, under et træ eller inde i et bjerg

The colonialization

the Israeli occupation is a real thing and not trust meoretytar 

respond to the violence 

the way to home is more beautiful than the home it self

Arabic spring

the autonomy was the the chaos

5 capital that fall down

IS THERE ONLY ONE MODEL? 

THE STATE?

Materialize a vision

concrete tent

we build it for this purpose

comunicate tool

GAZA WAS CONCRETE

COLLECTING STORIES 

BACK IN THE DAYS

STOF TELTE med lyse

WHAT IS GONING ON INSIDE THE TENTS

SHADOWS

IT IS NOT THE SCULPTURE AS A SYMBOL, IT IS A UNIVERSITY 

HOW DO WE BUILD AN ACHITEKTURE FACULTY 

- THERE IS NO WALLS

you can hear when people drew.

WE ARE NOT WARIORS

WE ARE NOT POLISIANS

WE ARE EDUCATORS

autonomous university

creating spaces inside the university

(where Marx can be red inside)

spaces outside inside

there is not so many spaces you can occupy whiteout people noticing, so why don't do it?

what is community?

who diffind it?

12. september 2015

THE LIFE OF THE VILLAGE

2012 kun mænd
youth party, wedding
-> Vi prøvede at finde ud af hvad de kunne bruge den til. PLAZA er det eneste offentlige sted i lejren.